Introduction: A Tale of Two Photographers

Dorothea Lange had an extraordinary life and career as a prolific photographer. She worked for Arnold Genthe in his portrait studio in New York and studied photography with Clarence White at Columbia University. In 1918 she began to travel around the world to make her living as a photographer. She found herself stranded in San Francisco, so she opened a photographic studio there. Paul Taylor, who would become her second husband, hired her to document migratory workers in California.

Dorothea Lange, Resettlement Administration photographer, in California, 1936. Library of Congress Prints and Photographs Division

In 1935 she began to work for the Resettlement Administration, later known as the Farm Security Administration (fig. 1). During this period, she made her most famous image, Human Erosion in California (Migrant Mother), of Native American Florence Owens Thompson and her children in a pea-pickers’ camp. Other less famous subjects included Japanese internment camps and scenes of workers in factories during World War II. Lange became the first woman awarded a Guggenheim fellowship, and she spent nearly ten years making photo essays for Life and other magazines. She also traveled extensively, making photo essays in Vietnam, Ireland, Pakistan, India, and elsewhere.

Walker Evans, profile, hand up to face, 1937. Library of Congress Prints and Photographs Division

Walker Evans began to photograph in the late 1920s, making snapshots during a European trip. Upon his return to New York, he published his first images in 1930. During the Great Depression, Evans began to photograph for the Resettlement Administration, later known as the Farm Security Administration (FSA), documenting workers and architecture in the Southeastern states (fig. 2). In 1936 he traveled with the writer James Agee to illustrate an article on tenant farm families for Fortune magazine; the book Let Us Now Praise Famous Men came out of this collaboration.

Throughout his career Evans contributed photographs to numerous publications, including three devoted solely to his work. In 1965 he left Fortune, where he had been a staff photographer for twenty years, to become a professor of photography and graphic design at Yale University. He remained in the position until 1974, a year before his death.

Expand Audio 1 Echoing the work of Lange and Evans, contemporary photographer Chris Killip documents social landscapes and is known for a series of powerful images of struggling industrial communities in North East England. © J. Paul Getty Trust
Dorothea Lange, Resettlement Administration photographer, in California, 1936. Library of Congress Prints and Photographs Division
Walker Evans, profile, hand up to face, 1937. Library of Congress Prints and Photographs Division
Audio 1 Echoing the work of Lange and Evans, contemporary photographer Chris Killip documents social landscapes and is known for a series of powerful images of struggling industrial communities in North East England. © J. Paul Getty Trust
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